seklusyon full movie
Created By ThemeXposeThemeXpose A Film that leaves Filipino horror clichés, I took notes. Not that it was a very demanding role for a kid who cut her teeth on television melodrama, but her performance was the least wooden of the entire cast – yes, the Honorable and venerable Lou Veloso included. The movie is set in 1946 Philippines, where religion became the mainstay of the war-damaged nation. | Those issues are handled in a subtle manner but also those are the issues that might occur today. Not counting the eerie otherworldliness the main baddie was supposed to project, all the other dialogue ranged from stilted – the opening confessional scene, for instance – to anachronistic – the sexually charged confrontation between two characters comes to mind – to betraying a seeming lack of understanding of the dynamics between the characters’ real life counterparts. External Reviews It was well shot, fairly edited, and the sound work was great too. The film is under the production of Reality Entertainment. This movie might be controversial by some, but Matti succeeds on tackling issues in religion not just from the Philippines, but also worldwide to the extent. Send your Movie Title Request. In a clever reversal, this movie posits that the devil won’t want these deacons to fail. Beyond the occasionally arresting visuals, however, the story-telling didn’t move forward as fluidly as it could have, and sadly, it didn’t deliver the horror. | It's a daring move for Director Matti to create a horror film about religion, especially the Philippines is known for very religious. | Set in 1947, we follow a deacon who's off to his 7-day seclusion from the world before he officially becomes a priest. And as a deacon, supposedly seven days away from becoming ordained, there was absolutely no situation, no circumstance, no context in which this stance was justified. Producing sleek looking and sounding movies is a good goal, but it shouldn’t be the end all and be all of commercial moviemaking; story-telling should be the thing! The movie centers about what is the true meaning of good and evil and if these problems can be saved by the faith from God or not. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window). Clearly, the movie’s premise can be mined for a great number of twists on the traditional Temptation of Jesus theme, and Seklusyon did a fair job of exploring that aspect of it, making it a good foray into the psychological and even meta-physical realms. Is this another twist?) Another consequence of the thin script – and perhaps even drawing more attention to that deficiency – was the gimmicky use of on-screen text. Unless you’re paying attention to the physical differences – although they all sort of look alike as well – it’s not easy to remember which psychological hang-up goes where. I’m not gonna spoil that). Lou Veloso did that very well. With Rhed Bustamante, Neil Ryan Sese, Ronnie Alonte, Lou Veloso. The movie centers about what is the true meaning of good and evil and if these problems can be saved by the faith from God or not. To a much more egregious extent, we are hit over the head with the main character’s piousness – the fellow takes half a pan de sal while others take the whole thing – which is in no way ever connected to his psychological baggage. Worse, his motivation – which, by the way, was apparently not important enough to give more detail to in the first place – turns out to be a critical plot point! Here, though, on-screen text was too often used as a crutch to help the story stay on its feet; a kind of deus ex machina, if you will. My Name Is Nobody | WESTERN | English | Free and Full Movie | Henry Fonda | HD | Spaghetti Western - Duration: 1:55:47. It was well shot, fairly edited, and the sound work was great too. It stars Rhed Bustamante, Neil Ryan Sese, Ronnie Alonte, Lou Veloso, Phoebe Walker, Dominic Roque, Elora Españo, John Vic De Guzman, JR Versales, Jerry O'Hara, Sherry Lara and Teroy Guzman. Seklusyon leaves you with two questions… But see that’s the problem I’ve been pointing out with every single MMFF. On a final (and hopefully unnecessary) note, pointing out the imperfections of Seklusyon should not be considered an attack on the movie, nor an unfair comparison to western moviemaking standards.
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